Daria S. Farafonovа
Walter Benjamin: from the Theory of Translation to the Theory of Culture
2018 Vol. 3, №4
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Alexander A. Yudin
The Notion of Aesthetic Imperative in the Early Bakhtin
2018 Vol. 3, №3
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Nadège Langbour
Diderot as the critique of art and the translation of time and place: from the pictural composition to the literary decomposition / recomposition
2018 Vol. 3, №2
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Irina K. Staf
Rabelais’ “culture of folk humor” as a Technique of Archaicized Narration
2018 Vol. 3, №2
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Sergey N. Zenkin
The Model and the Masterpiece (Balzac and his followers)
2018 Vol. 3, №1
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Irina K. Staf
Allegory, Poetrie, Rhetoric: On the Notion of Poetic Fiction in France at the End of the 15 th Century
2017 Vol. 2, №4
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Alexey N. Belarev
The Face of the Other in Emmanuel Levinas and Alexey Uhktomsky
2017 Vol. 2, №4
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T.V. Kudryavtseva
Literary Process in Germany at the Turn of the 19 th and 20 th Centuries: Interaction of Literary Trends
2017. Vol. 2, №3
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M.E. Malikova
Towards the Description of “Philological Translation” in the 1930-s: Adrian A. Frankovsky as Translator of the 18 th Century English Novel
2017. Vol. 2, №3
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AUTOBIOGRAPHY VS PHOTOGRAPHY AND MEMOIR VS CARICATURE AS FORMS OF PRESERVING THE AUTHOR’S MEMORY (DMITRY S. MEREZHKOVSKY)
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A DOCUMENT PAUL AUSTER’S NEW YORK TRILOGY
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PORTRAIT IN LITERATURE AND GRAPHIC ART: THE CASE OF THE FIERY ANGEL
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