Abstract
The essay introduces a new term “the single text” as a methodological tool for the study of the early Dostoevsky. This allows me to analyze intersections between different works of the period rather than examine them as individual texts. What justifies the proposed method is the existence of a global philosophical objective/problem that the author is trying to reach/solve in the select period of his life. A global philosophical objective implies a range of ontological questions that relate to the deeper foundations of the author’s mindset. This objective is so important that the author recurrently refers to it and is looking for the possible ways to fulfil his goal in different works. It is all the more important to define the author’s objective and its meaningful core that unites all the motifs in the works of the select period as they contribute to its implementation. The definition should verify that the featured motif belongs to the author’s intention rather than being a whimsical researcher’s point of view. The essay therefore examines the underlying goal or objective lying at the core of the early period in the work of Dostoevsky that can be defined as searching for the ways to transcend the inertness of being.
References
1 Gabdullina V. I. Evangel’skaia pritcha v avtorskom diskurse F.M. Dostoevskogo [The gospel parable in the author’s discourse by F.M. Dostoevsky: PhD thesis]. Tomsk, 2009. 388 p. Available at: http://www.dslib.net/russkaja-literatura/evangelskaja-pritcha-vavtorskom- diskurse-f-m-dostoevskogo.html (Accessed 26 May 2019). (In Russ.)
2 Dostoevskii F.M. Polnoe sobranie sochinenii: v 30 t. [Complete works: in 30 vols.] Leningrad, Nauka Publ., 1972–1990. (In Russ.)
3 Kasatkina T.A. O sub”ekt-sub”ektnom metode chteniia [On subject-subjective method of reading]. Novyi mir, 2017, no 1. Available at: http://www.zh-zal.ru/novyi_mi/2017/1/ o-subekt-subektnom-metode-chteniya.html (Accessed 26 May 2019). (In Russ.)
4 Kovalev O.A. Tvorchestvo F.M. Dostoevskogo kak edinyi tekst [Creativity F.M. Dostoevsky as a single text]. Narrativnye strategii v tvorchestve F.M. Dostoevskogo [Narrative strategies in the works of F.M. Dostoevsky]. Barnaul, Izd-vo Alt. un-ta Publ., 2011, pp. 70–74. (In Russ.)
5 Koshechko A.N. Formy ekzistentsial’nogo soznaniia v tvorchestve F.M. Dostoevskogo [Forms of existential consciousness in the works of F.M. Dostoevsky: PhD thesis]. Tomsk, 2014. 477 p. Available at: http://www.dslib.net/russkaja-literatura/formyjekzistencialnogo- soznanija-v-tvorchestve-f-m-dostoevskogo.html (Accessed 26 May 2019). (In Russ.)
6 Lotman Iu.M. Analiz poeticheskogo teksta [The analysis of poetic text]. Leningrad, Prosveshchenie Publ., 1972. 272 p.
7 Lotman Iu.M. Struktura khudozhestvennogo teksta [The structure of the artistic text]. Lotman Iu.M. Ob iskusstve [About art]. St. Petersburg, Iskusstvo — SPB Publ., 1998, pp. 14–285. Available at: https://www.gumer.info/bibliotek_Buks/Literat/Lotman/_ Index.php (Accessed 26 May 2019). (In Russ.)
8 Rodnianskaia I.B. Edinyi tekst [The single text]. Dvizhenie literatury [Movement of literature]. Moscow, Znak: Iazyki slavianskikh kul’tur Publ., 2006. Vol. 1, pp. 361–376.
9 Sviridov S.V. Struktura khudozhestvennogo prostranstva v poezii V. Vysotskogo [The structure of artistic space in V. Vysotsky’s poetry]. Available at: http://vysotskiy-lit.ru/ vysotskiy/kritika/sviridov-struktura-prostranstva/index.htm (Accessed 26 May 2019). (In Russ.)
10 Sedov A.F. Dostoevskii i tekst (problema teksta s tochki zreniia poetiki povestvovaniia v povestiakh i romanakh F.M. Dostoevskogo 60–70-kh godov) [Dostoevsky and the text (the problem of the text from the point of view of narrative poetics in the novels of F.M. Dostoevsky of the 1860–70s)]. Balashov, 2002. Available at: https://refdb.ru/ look/2683111.html (Accessed 26 May 2019). (In Russ.)
11 Frik T.B. “Sovremennik” A.S. Pushkina kak edinyi tekst [“Contemporary” by A.S. Pushkin as the single text]. Tomsk, Izd-vo Tomskogo politekhnicheskogo