| AUTHOR(S), TITLE |
PAGES |
Literary Theory
|
 |
Zhang Lei, Ling Jianhou.
The Reception of Bakhtin’s Book Problems of Dostoevsky’s Poetics in China |
10 - 33 |
World Literature
|
|
Veronika B. Zuseva-Özkan.
The Shrouded Woman (1938) by María Luisa Bombal and the Features of the Female Posthumous Narration |
34 - 57 |
|
Yulia V. Gurenkova.
The Comic and the Absurd in Achille Campanile’s Novel In August I Don’t Want to Know My Wife
|
58 - 79 |
Elmira V. Vasileva.
Ambiguity and Myth in N. Hawthorne’s “Egotism; Or, The Bosom-Serpent” |
80 - 99 |
|
Anastasia V. Lomagina.
K. Blixen’s Winter’s Tales: Intertextual Interaction with H. Ibsen’s Texts
|
100 - 117 |
Igor V. Chindin.
On the Role of Imagination in Neomythological Textual Structures (William Blake vs Daniel Andreev) |
118 - 149 |
Daniil A. Stognii.
Le maniéré and Simulacrum in the Aesthetics of Denis Diderot |
150 - 165 |
Artem S. Kulagin.
The Originality of Humor in New Sincerity Novels |
166 - 185 |
Russian Literature
|
|
Natalia I. Gorodilova, Marina A. Mozharova.
Early Manuscripts of the Novel Anna Karenina: A History of Research |
186 - 205 |
Maya A. Kucherskaya.
Nikolai Leskov and Wincenty Korotyński: Toward a History of the Creative Dialogue |
206 - 223 |
Sofya V. Polonskaya.
Literary Work of Sergey Sharshun in the Context of European Dadaism and French Surrealism |
224 - 239 |
Close-Up: Fyodor M. Dostoevsky
|
|
Liubov N. Burns.
“Madame Bovary” as a Verdict: The Role of Gustave Flaubert’s Madame Bovary in Dostoevsky’s The Idiot |
240 - 265 |
Tatiana A. Boborykina.
“Scroudge et Marly”: A Literary Allusion as Another Formula for the Inner Idea of Dostoevsky’s The Adolescent |
266 - 293 |
Tatiana A. Kasatkina.
“Digression in Praise of the Ass” by Heinrich Cornelius Agrippa von Nettesheim in Dostoevsky’s The Idiot |
294 - 313 |
Tatyana V. Kovalevskaya.
“I Should Have Liked Perhaps to Be Called Ernest…”: Whose Name Did Captain Lebyadkin Dream of? |
314 - 333 |
Caterina Corbella.
Shakespeare in Dostoevsky’s Novel Demons: “Oh, Iago, the Pity of It, Iago!” |
334 - 353 |
Tatiana G. Magaril-Il’iaeva.
The Image of Stepan Trofimovich in the Context of Victor Hugo’s Novel L’homme qui rit |
354 - 373 |
Nikolay N. Podosokorsky.
Historical Works by Stepan Trofimovich Verkhovensky in F.M. Dostoevsky’s Novel Demons |
374 - 395 |
Folklore Studies
|
|
Tatyana A. Agapkina.
Gore (Grief) in East Slavic Folklore |
396 - 449 |
Textology. Materials. Publications
|
|
Irina A. Belyaeva.
A.V. Druzhinin about Dante’s The New Life: Based on the Writer’s Archive |
450 - 465 |
Vladimir A. Viktorovich.
N.S. Leskov’s Unknown “Notes” of 1872 |
466 - 479 |
Alexandr S. Alexandrov.
The Last Days of Imperial Power by A. Blok: from a Service Assignment to an Essay |
480 - 499 |
Anton V. Bakuntsev.
“Diary of a Talentless Woman”: An Unwritten Novella by Vera Bunina |
500 - 513 |
Olga E. Rubinchik.
“For Marusia — Everything.” About One Akhmatova’s Note to Nika Glen |
514 - 529 |
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