The Myth of Adam in Nikolay Gumilev’s Poetry
2018 Vol. 3, №4
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Victoria I. Buyanovskaya
Poor Folk by Fyodor Dostoevsky as a Dialogue between the Old and the New Word
2018 Vol. 3, №4
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Lyubov A. Kurysheva
On Pushkin’s Synopsis of the Russian Version of Snow White
2018 Vol. 3, №4
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Ruslan T. Saduov
“I аm an Elephant”: The Use of Metaphor in Contemporary Russian Comics
2018 Vol. 3, №3
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Natalya I. Duzhina
“A Juvenile Case” — The History of a Story by Andrey Platonov
2018 Vol. 3, №3
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Michiko Komiya
The Autobiographical Myth in Ju. K. Olesha’s Novel Envy
2018 Vol. 3, №3
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Ekaterina E. Dmitrieva
The Myth of Belovodie, Oponskoe [Japan] Kingdom of the Old Believers, and the Mystery of the Second Volume of Gogol’s Dead Souls
2018 Vol. 3, №3
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Maria S. Akimova
The Chapel in Turgenev’s Novel On the Eve: History, Literature, Mythology
2018 Vol. 3, №3
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Tatiana Viсtoroff
“I will return/come back to you unrecognized”: The Fate of Poetry of Mother Maria in Post-Soviet Russia and France
2018 Vol. 3, №2
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Olga A. Peshkova
The Image of the Author in Tatyana Tolstaya’s Blog
2018 Vol. 3, №2
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Akifumi Takeda
Who is Vasily Travnikov? Between Literary Hoax and Literary History
2018 Vol. 3, №2
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Claudia Pieralli
Gulag Poetry as Literary Testimony: Poetical and Epistemic Framework
2018 Vol. 3, №2
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Olga A. Simonova
"In this Light Church — Korney is the Hierarch": Recurring Images in the Poetry of Korney Chukovsky and His Contemporaries
2018 Vol. 3, №2
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Marsel R. Khamitov
“Between Death and Life” by A.N. Apukhtin: Reincarnation Plot as the Narrative Problem
2018 Vol. 3, №2
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Yuri Y. Barabash
Crocodile Street, Nevsky Prospekt and Beyond. Bruno Schults and Gogol Meeting at the Border
2018 Vol. 3, №2
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Marina A. Arias-Vikhil
The Lower Depths in Italy: the 1926 Performance Directed by Tatyana Pavlova
2018 Vol. 3, №1
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Svetlana M. Demkina
The Lower Depths on the German Stage
2018 Vol. 3, №1
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Olga A. Ovcharenko
М. Gorky as a Theoretician of Literature
2018 Vol. 3, №1
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Lydia A. Spiridonova
Gorky’s Work and the Rise of Social Realism
2018 Vol. 3, №1
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Leonid Heller
Universal russianness, or Gorky’s the Lower depths interpreted by Zamyatin interpreted by Renoir
2018 Vol. 3, №1
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