| AUTHOR(S) |
TITLE |
PAGES |
| |
Literary Theory
|
|
| Tatiana G. Chesnokova |
The Taming of the Shrew by A.N. Ostrovsky: Some Aspects of Reception and the Principles of Translation of Shakespeare’s Comedy |
10-37
|
|
Svetlana V. Fedotova
|
Mapping out Methodological Approaches to Russian Symbolism (on the Example of Vyacheslav Ivanov) |
38-65 |
|
Zsófia Kalavszky, Alexandra P. Urakova
|
Exploring the Boundaries of Texts and Literary Cults |
66-87 |
| |
World Literature
|
|
| Andrey V. Golubkov |
Paving the Road to Historical Novel: “Les Histoires Secrètes” in France at the Turn of the 17th and 18th Centuries |
88-
101
|
| Larisa A. Simonova |
Theater as a Dictate of Power. The Problem of Freedom of the Dramatic Author in the Classical Epoch |
102-125 |
| Virginie Fernandez |
Gaboriau, Reviewer of the Manners in L’argent Des Autres |
126-145 |
| Daria D. Kuzina |
“The New Russia” and the Old Offenses: the Scandal around T. Draiser’s and D. Thhompson's Soviet Travelogues |
146-165 |
| Elizaveta A. Shevchenko |
The Function of Figurative Language in the Dialogue between Dickens and His Reader |
166-181 |
| Piotr Śniedziewski |
Disappearing Suns, Disappearing Worlds — The Black Sun in Krasiński’s Work |
182-203 |
| Tatiana A. Bystrova |
“New Italian Epic” Memorandum |
204-221 |
| |
Russian Literature
|
|
| Ekaterina G. Paderina |
On the Pragmatics of the Genre and the Source of the “Literary” Memories about Late Gogol |
222-245 |
| Elena R. Obatnina |
Alexey Remizov: between Reception and Self-Reflection (The Chosen Pages of the Scrapbook “Foreign Censorship” 1923–1931) |
246-265 |
| Natalia I. Shubnikova-Guseva |
The Academic Esenin. To the 125th Anniversary of the Poet’s Birth |
266-299 |
| |
Literature of the Peoples of Russia and Neighboring Countries
|
|
| Inna A. Kazharova |
Figurative and Semantic Dominants of the Story “Scarlet Herbs” by Zeitun Tolgurov |
300-319 |
| Margarita S. Dedina |
Representation of the World in the Novels of Arzhan Adarov |
320-337 |
| |
Folklore Studies
|
|
|
Valentina P. Kuznetsova, Elena V. Markovskaya
|
Folklore Archive and Historical Reality (Based on the Archive Materials of the Institute of Language, Literature and History, Karelian Research Centre RAS)
|
338-357 |
| |
Textology. Materials
|
|
| Anna Yu. Sergeeva-Klyatis |
“The Loneliness of the Incomprehensible Content”: Sergey Bobrov about Boris Pasternak |
358-373 |
| |
Scientific Life
|
|
| Marina A. Arias-Vikhil, Vadim V. Polonsky |
Documented History of the “World Literature” Publishing House: Financial Aspect (1918–1921) |
374-393 |
| Daria S. Moskovskaya, Elena D. Galtsova |
FOSP’S “Publishing Passion”: on the Materials Held in the Department of Manuscripts of the IWL RAS |
394-419 |
| Serge Rolet |
“Academia” Publishing House. Between Culture and Money (1929–1938)
|
420-443 |
| Tatiana Trankvillitskaia |
The Soviet Pavilion at the 1937 Paris Exposition: Financial Aspect and Organizational Problems |
444-471 |
| |
From the History of Literary Studies
|
|
| Tatiana V. Marchenko |
Bouquet of Violets, or Being a Bit Nervous: Finishing Touches to the 1933 Nobel Days |
472-505 |
| Irina V. Arshinova |
The Russian Theme in English Novels and its Reception in the Reviews of the Anglo-Russian Literary Society |
506-517 |
| |
Reviews
|
|
| Tamara V. Kudryavtseva, Alla A. Strelnikova |
On the Monograph by E.A. Zachevskij “The Man who Lied while telling the Truth. Life and Work of Wolfgang Koeppen” (St. Petersburg, Kriega, 2019. 752 p.) |
518-527 |
