Natalia Iu. Kharitonova
R. del Valle Inclán’s Novel Tirano Banderas in the Light of Intersectional Analysis
2022 Vol. 7, №4
|
Nataliia L. Ogurechnikova
The Bible of Hermann of Valenciennes and the Icelandic Biblical Paraphrase Lily
2022 Vol. 7, №4
|
Elena V. Haltrin-Khalturina
Mowgli’s Poetic Schooling: On Lyrical Parts of Kipling’s Jungle Books
2022 Vol. 7, №3
|
Maria V. Gerasimenko
What is “Tremendo”? Several Features of the Poetics of Tremendism
2022 Vol. 7, №3
|
Natalia E. Mikeladze
Again about “My Kingdom for a Horse”: the Way of Interpretation of “Richard III”
2022 Vol. 7, №3
|
Alexander B. Kudelin
On Distinctiveness of the Arabic Poetic Canon of the 13th to 18th Centuries
2022 Vol. 7, №3
|
Aleksandra S. Balakhovskaya
Hagiographical Discourse in “Vita Pythagorica” by Yamblichus and “Vita Antonii” by Athanasius of Alexandria
2022 Vol. 7, №3
|
Anastasia V. Kotova
Similes in Narrator’s and Characters’ Speech as Traditional Elements of Epic Style (on the Material of Virgil’s “Aeneid”)
2022 Vol. 7, №3
|
Sergey A. Stepantsov
Was there a Sword? On Aristophanes’ Thesmophoriazusae (v. 134–140)
2022 Vol. 7, №3
|
Boris M. Nikolsky
Pseudartabas and his Attire (Aristophanes “Acharnians” 94–97
2022 Vol. 7, №3
|
Svetlana Yu. Pavlova
Moliere’s Reflections on the Concept of “Honnête Homme” in The Misanthrope
2022 Vol. 7, №2
|
Oleg F. Kudryavtsev
Dante’s Work in the Interpretation of Humanists of Platonic Academy of Florence
2022 Vol. 7, №2
|
Irina V. Ershova
Dante’s Plot on Francesco and Paolo in Spanish Literature of the 15th–17th Centuries
June 25, 2022
|
Anna V. Toporova
Dante as an “Existential Teacher”: Franco Nembrini and Fr. Georgy Chistyakov on Dante
2022 Vol. 7, №2
|
Tatiana G. Chesnokova
Winter in Tomis and “Winter” in Hell: Once More about the Parallels between Dante and Ovid
2022 Vol. 7, №2
|
Mikhail L. Andreev
The New Life by Dante in Russian Translations
2022 Vol. 7, №2
|
Anastasia V. Golubtsova
“The Myth of Russia” in the Works by Curzio Malaparte
2022 Vol. 7, №1
|
Yulia S. Patronnikova
Emilio De Marchi’s Novel “The Priest’s Hat”: the Origins of Italian Giallo
2022 Vol. 7, №1
|
Veronika D. Altashina
Singer of Graces: the Gallant Montesquieu (“The Temple Of Gnidos” and “Journey To Paphos”)
2022 Vol. 7, №1
|
Andrey V. Golubkov
Scaligerana: Language as a Plot
2022 Vol. 7, №1
|
