World Literature

Elena V. Astashchenko
Religious Dimension of German “Unending Book” in the Children’s Fantasy by Cornelia Funke
2018 Vol. 3, №1
Tatiana V. Govenko
Postmodernist Techniques and Grown-Up Themes in the Juvenile Novel Learning to Scream (2009) by Beate T. Hanike
2018 Vol. 3, №1
Liudmila V. Evdokimova
Reexamining Two Mythological Ballads from Christine de Pizan’s Cent Balades
2018 Vol. 3, №1
Liubov V. Goriaeva
On the Image of Calif Ali in Malay Narrative Tradition
2018 Vol. 3, №1
Ekaterina N. Vasilyeva
The Spirit of Laws and the Debate about Russian Despotism
2017 Vol. 2, №4
Nina D. Lyakhovskaya
Shadow of Imana: Travels in the Heart of Rwanda by Véronique Tadjo as the First Travelogue in the Francophone African Literatures
2017 Vol. 2, №4
Alexander B. Kudelin
The Forms of Prosaic Speech in Al-sīra by Ibn Ishāq — Ibn Hishām
2017 Vol. 2, №4
Vera V. Kotelevskaya
Adult and His Other: Conceptualization of the Childhood in the Austrian Modernist Fiction (On the Example of R.M. Rilke)
2017 Vol. 2, №4
Kirill A. Chekalov
Natalya T. Pakhsaryan
The Structure of the Fantômas Novel Series by Pierre Souvestre and Marcel Allain and the Problem of Seriality in Popular Literature
2017 Vol. 2, №4
Julietta L. Chavchanidze
Rahel Vaenhagen and the Culture of Her Time
2017 Vol. 2, №4
Eugenyia M. Butenina
Chekhov’s Ethical Heritage in the Contemporary American Medical Humanities
2017 Vol. 2, №4
A.V. Golubtsova
Alexander Pushkin in the 19 th Century Italian Drama
2017 Vol. 2, №3
V.M. Tolmatchoff
On the Symbolism of Thomas Mann
2017 Vol. 2, №3
E.V. Haltrin-Khalturina
Two Wooers and their Sonnets: On Poetic Forms in Romeo and Juliet
2017 Vol. 2, №3
M.L. Andreev
Corneille’s Heroic Comedies
2017 Vol. 2, №3
T.N. Krasavchenko
“And time future contained in time past”: British Modernist Poetry from T.S. Eliot to Ted Hughes
2017 Vol. 2, №3

MEDIEVAL THEATER AS MEDIUM: A SURVEY IN MEDIA ARCHAEOLOGY

AUCTORITAS: AUTEUR ET AUTORITÉ CHEZ DIDEROT ( À PROPOS DE QUELQUES ÉPIGRAPHES )

THE SPECIFICITY OF THE FICTIONAL SPACE IN THE NOVELS BY CRÉBILLON-FILS

“UNHAPPY YOUNG MAN.” A HERO-SUFFERER IN ITALIAN ROMANTIC PROSE