| AUTHOR(S), TITLE |
PAGES |
Literary Theory
|
 |
Natalia R. Lidova.
The Science of Poetry (Kāvya- Śāstra) in the Works of Early Indian Theorists |
10 - 39 |
Wang Hongyuan.
Translation and Reception of Foreign Studies on Mikhail Bakhtin’s Legacy in China |
40 - 61 |
World Literature
|
|
Mark Yu. Ulyanov.
Artistic Specifics of Storyline Narration in the Ancient China Historiographic Literature of the 8th–4th Centuries B.C. |
62 - 89 |
|
Anastasiya R. Sadokova.
Warrior Monk Kaison and the Motif of Gaining Immortality in Japanese Folk Prose
|
90 - 113 |
Evgeniya S. Kukushkina.
Traditional Malay Poem Syair in the Performances of Theater Boria |
114 - 135 |
|
Avik V. Isahakyan.
Avetik Isahakyan’s Poem “Abul Ala Maari” and Its Hero
|
136 - 149 |
Venera R. Amineva.
The Kitga in Early 20th-Century Tatar Literature: Features of Poetics and Functioning |
150 - 173 |
Russian Literature
|
|
Kanysh T. Bibekov, Laura M. Orazgaliyeva, Gulnaz M. Mussabayeva.
Lermontov’s Poem The Demon in Abay’s Interpretation |
174 - 189 |
Elena A. Papkova.
India in the Biography and Works of Vsevolod Ivanov. From the Diaries of 1959 and 1961 |
190 - 203 |
Olga A. Bogdanova.
Literary Estate as a “Civilizational Frontier”: Chingiz Aitmatov’s Novel “The White Steamship” (1970) |
204 - 225 |
Close-Up: Dmitry S. Merezhkovsky
|
|
Elena A. Andrushchenko.
On the Origins of D.S. Merezhkovsky’s “Universal League for Religious and Social Revival” (1927) |
226 - 241 |
Anastasiia V. Fedorova.
D.S. Merezhkovsky’s Novel “Resurrected Gods. Leonardo da Vinci” in Germany: Translations, Editions, and Reception |
242 - 267 |
Alexey A. Kholikov.
“Notes to Tyutchev,” or “The Debris” from which D.S. Merezhkovsky’s “Mysterious Visions” Grow |
268 - 287 |
Olga A. Blinova.
The Reception of D.S. Merezhkovsky’s Work in Sweden at the Beginning of the 20th Century: Based on Materials from the Archive of M.M. Kovalevsky |
288 - 303 |
Lyudmila F. Lutsevich.
“You Would Have Done me a Great Favor”: Letters from Dmitry Merezhkovsky to Marian Zdziechowski |
304 - 325 |
Vadim V. Polonsky.
Two Models of Modernist Symbolization of the City: Paris as Depicted by Dmitry Merezhkovsky and Vyacheslav Ivanov |
326 - 345 |
Folklore Studies
|
|
Uliana O. Shchukina.
The Personal Archive of the Teacher, Librarian and Collector of Antiquities Vasiliy A. Nikonov (Based on the Materials of the Repository Ancient Manuscripts of the Pushkinskij Dom and the Krasnoborsk Museum) |
346 - 363 |
Textology. Materials. Publications
|
|
Elena N. Starodumova.
Dante’s “Rime” Editions: Between Philology and Hermeneutics |
364 - 381 |
Iakov V. Slepkov.
Akhmatova’s Article “Pushkin’s Last Fairy Tale”: Perception and Criticism in the 1930s–1960s |
382 - 423 |
Reviews
|
|
Kirill A. Chekalov.
“Don’t Miss Any of My Signs.” A New Work on Balzac |
424 - 435 |
RU 
EN 
