Abstract
Dmitry Pisarev entered the history of literature largely due to the congenial interpretation of the novel Fathers and Sons (1862). His articles “Bazarov” (1862) and “Realists” (1864) convinced the public that nihilists really existed and the novel offered their “absolutely true” representation (N.N. Strakhov). The same articles expained the ideology of nihilism presented by Turgenev in exaggerated form. However, Pisarev did not approve of Turgenev’s next novel, The Smoke (1867). The article discusses in detail the reasons of Pisarev’s negative review. It also sheds light on professional and personal relations of Turgenev and Pisarev as well as on political views of both. The main part of the article is an original commentary on the correspondence of Turgenev and Pisarev in 1867 around The Smoke. Particular attention is paid to the problem of the main character of The Smoke and the paradoxical fact that the critic ignored the character of Potugin to whom Turgenev attached great importance. The dialogue between the writer and the critic revealed fundamental differences in their ideas about the 1860s and its heroes, and also exposed a lack of understanding that manifested itself in their qui pro quo.
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