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Keywords: Kheraskov, Vladimir, historical sources, chronicles, historiography of the 18th century.
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Semenova A.V. A Poem by Vladimir Mikhail Kheraskov: Historical Sources. Studia Litterarum, 2019, vol. 4, no 3, pp. 172–187. (In Russ.)

DOI: 10.22455/2500-4247-2019-4-3-172-187

Author: Anastasia V. Semenova
Information about the author:

Anastasia V. Semenova, adjunct lecturer at the Department of Philology, Kazakhstan branch of the Lomonosov Moscow State University, Kazhimukan St. 11, 010010 Astana, Republic of Kazakhstan.

E-mail: аThis email address is being protected from spambots. You need JavaScript enabled to view it.

Received: March 29, 2019
Published: September 25, 2019
Issue: 2019 Vol. 4, №3
Department: Russian Literature
Pages: 172-187
DOI: 10.22455/2500-4247-2019-4-3-172-187
UDK: 821.161.1
BBK: 83.3(2Рос=Рус)52

Abstract

The article examines historical sources of the poem Vladimir by Mikhail Kheraskov (1785, 3d ed. 1797). It focuses on the following aspects: 1) the image of philosopher Cyrus, a key character in the poem, the main mentor of Prince Vladimir; 2) description of the images of the Last Judgment, heaven and hell on the “Charter” (veil) presented by Cyrus to Vladimir; 3) Vladimir’s son Vsevolod’s duel with Pecheneg. The last episode is an additional storyline that appeared only in the third edition. The sources of the poem include The Tale of Bygone Years, The Russian Chronicle according to the Nikon Lis (1767), The Kiev Synopsis (1674), The Core of Russian History (1770), and historical works of V. Tatishchev, M. Lomonosov, M. Shcherbatov, and Catherine II. The article draws parallels between the poem and these sources, including textual parallels. In conclusion, it is argued that in “Vladimir,” as earlier in “Rossiyada”, the poet whenever possible relates his narrative to historical evidence, constantly borrows from different sources. This concerns important ideological aspects of the poem (for example, the image of the main preacher, which also has Masonic connotations) as well as adventurous battlefield episodes (i.e. Vsevolod’s adventures), introduced, according to the author’s design, primarily to entertain young readers.

References

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