| AUTHOR(S), TITLE |
PAGES |
Literary theory
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Mikhail G. Pavlovets.
Russian Poetic Neo-avant-garde of the 2nd Half of the 20th Century: On Issue of the Term’s Use Boundaries
|
10 - 31 |
World literature
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Ekaterina N. Buzurnyuk.
The Joke in Aristophanes’ Assemblywomen (v. 21–23)
|
32 - 47 |
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Natalia M. Dolgorukova.
“Intertextuality” in the 12th Century: Marie de France and Chrétien de Troyes
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48 - 67 |
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Alyona V. Khokhlova.
Hunting Birds in German Epic and Courtly Romance
|
68 - 85 |
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Maria Yu. Ignatieva (Oganissian).
Spanish Mystic of the 16th Century and the “Spiritual Canticle” of Saint John of the Cross
|
86 - 107 |
Maria R. Nenarokova.
John Bunyan’s Pilgrim’s Progress: From Emblem to Comics |
108 - 139 |
Russian Literature
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|
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Kristina V. Sarycheva.
Evolution of Female Images in the I.A. Grinevskaya’s Works of the 1890s–1900s.
|
140 - 161 |
|
Maxim V. Skorokhodov.
Esenin’s Poem “Us”: Materials for Historical and Literary Commentary
|
162 - 181 |
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Svetlana D. Titarenko.
The Metamorphosis of Mannerism in Russian Poetry at the Turn of the 19th–20th Centuries: Valery Bryusov and Nikolay Gumilev
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182 - 199 |
|
Olga A. Bogdanova.
The “Dacha Myth” in Russian Literature of the Turn of the 20th–21st Centuries: The Case of Yuri Mamleev
|
200 - 219 |
Elizaveta B. Dzaparova.
Poem by A.A. Akhmatova “Requiem” in the Dialogue of Cultures: Problems of Translation into Ossetian |
220 - 241 |
Folklore Studies
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|
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Olha M. Humeniuk.
Genre and Style Structure of Expatriate Folklore Lyrics by Crimean Tatars (“The Song of Cool Water”)
|
242 - 267 |
Andrey L. Toporkov.
“Dream of the Virgin” in Russian Handwritten and Folklore Traditions (17th – the Beginning of the 21st Century) |
268 - 287 |
Textology. Materials
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Natalia V. Pak.
The Panegyric on Nicholas Kochanov, a Fool for Christ of Novgorod: Literary Sources
|
288 - 315 |
Elena A. Andrushchenko.
Sainte-Beuve vs Eckermann, or How the First Russian Translation of “Conversations with Goethe” Was Made |
316 - 333 |
Lyubov V. Khachaturian.
“Big Data” of the Digital Archive: A Dialogue with a Raster Manuscript |
334 - 349 |
Reviews
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Nellya M. Shchedrina.
The Artistic Embodiment of the Historiosophical Concept in the D.S. Merezhkovsky’s Novels
|
350 - 359 |
