Abstract
Soviet leaders and Comintern stressed the importance of the “Negro problem” in the struggle against American imperialism; African American literature was considered a part of the “battlefield” as well, so an ideologically bound image of “American Negro literature” was on the agenda. First translations of African American literature appear in the early 1920s together with its first reviews and essays (some of them by reputed critics like Ivan Kashkin, Segrei Dinamov, Nikolay Efros). The key figures of the decade were W.E.B. DuBois, Walter White, Jessie R. Fauset, and Claude McKay. McKay’s reputation in the USSR underwent a considerable change during the 1920s: introduced as a revolutionary writer and a “friend of the Soviet Union”, in the late 1902s he was stigmatized as a “petty bourgeois Black nationalist”. Soviet critics analyzed the phenomenon of “Harlem school”, and “the whites writing up the Black” (Carl Van Vechten, Howard W. Odum, Michael Gold, Albert Halper, etc.). The paper traces changes in the vision of African American literature, that lead to new demands set forth in the 1930s and is based on publications of American and Soviet press of the 1920s and archived documents.
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