Download PDF: http://studlit.ru/images/2018-3-3/Komiya.pdf
For citation:

Komiya M. The Autobiographical Myth in Ju.K. Olesha’s Novel Envy. Studia Litterarum, 2018, vol. 3, no 3, pp. 162–175. (In Russ.) DOI: 10.22455/2500-4247-2018-3-3-162-175

Author: Michiko Komiya
Information about the author:

Michiko Komiya, PhD in Philology, Research Fellow of Japan Society for the Promotion of Science, Saitama University, Shimo-okubo 255, Sakura-ku, 3388570, Saitama-shi, Japan.

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Received: November 01, 2017
Published: September 25, 2018
Issue: 2018 Vol. 3, №3
Department: Russian Literature
Pages: 162-175
DOI:

https://doi.org/10.22455/2500-4247-2018-3-3-162-175

UDK: 821.161.1
BBK: 83.3(2Рос=Рус)6
Keywords: Ju.K. Olesha, Envy, Kavalerov, manuscript, autobiography

Abstract

This study reinterprets an autobiographical myth in Olesha’s novel Envy (1927). The novel’s main character Kavalerov has been traditionally interpreted as Olesha’s fictional double, Olesha’s own remark that Kavalerov’s poetic talent matches his own being a strong basis for such reinterpretation. However, upon closely studying the manuscript and exploring Kavelerov’s manuscripts, the essay argues that Kavalerov is not an autobiographical character. In writing and rewriting Envy, Olesha repeatedly changed Kavalerov’s characteristics, progressively showing him in the bad light. In fact, when Olesha began writing Envy, the main character was Ivan Babichev. At this stage of the novel’s composition, Kavalerov, merely a narrator, was described as a poetically talented man, a representative of intelligentsia who managed to survive and adapt himself to the post-revolutionary society. In other words, at the novel’s early stages, the character did share certain features with the author. However, Olesha later imbued Kavalerov’s character with negative features and made him an antagonist of Andrey Babichev, a favorite of the Soviet government. This rueful change paradoxically reinforced Kavalerov’s significance in the novel and he became its main protagonist. In his late manuscripts of the novel, Olesha presented even Kavalerov’s poetic talent in the negative light. The novel’s final version shows Kavalerov’s talent uncultivated because of his idleness: no one recognizes it. Thus, Kavalerov turns into a “second-rate poet” radically breaking with Olesha’s self-image.

References

1 Belinkov A.V. Sdacha i gibel’ sovetskogo intelligenta. Jurij Olesha [Surrender and doom of the Soviet intelligentsia. Yuriy Olesha]. Moscow, Kul’tura Publ., 1997. 539 p. (In Russ.)

2 Dobrenko E.A. Stanovlenie instituta sovetskoj literaturnoj kritiki v jepohu kul’turnoj revoljucii: 1928–1932 [The development Soviet literary criticism as an institute in the period of cultural revolution: 1928–1932]. Dobrenko E.A., Tihanov G.V. (eds.) Istorija russkoj literaturnoj kritiki: Sovetskaja i postsovetskaja jepohi [History of Russian literary criticism: Soviet and Post-Soviet era]. Moscow, Novoe literaturnoe obozrenie Publ., 2011, pp. 142–206. (In Russ.)

3 Olesha Ju.K. Beseda s chitateljami [A talk with readers]. Literaturnyj kritik, 1935, no 12, pp. 152–165. (In Russ.)

4 Olesha Ju.K. Zavist’; Tri Tolstjaka; Vospominanija; Rasskazy [Envy; Three fat men; Memoir; Short stories]. Moscow, Jeksmo Publ., 2013. 704 p. (In Russ.)

5 Olesha Ju.K. Udacha moej zhizni [Success of my life]. Literaturnaja gazeta, 1933, May 05. (In Russ.)

6 Komiya M. Olesha “Senbou” soukou kenkyu: jinbutsuzou no seisei wo tyuushin ni: Dis. ... Dr. Philology sciences. The University of Tokyo, 2017. 261 p. (In Japenese)

7 Piper D.G.B. Yuriy Olesha’s “Zavist’”. The Slavonic and East European Review, 1970, no 48: 110, pp. 27–43. (In English)