Title  ON THE VISUAL ORIGINS OF ONE  FOLKLORE MOTIF. THE TOMB IN THE CHURCH
Author(s)  L.V. Fadeeva
Information about the author(s)

Liudmila V. Fadeyeva, PhD in Philology, Head of the Folklore  Liudmila V. Fadeyeva, PhD in Philology, Head of the Folklore    and Folk Art Department of The State Institute for Art Studies of the Ministry of Culture    of the Russian Federation

Received  February 21, 2017
Published  June 25, 2017
Issue  2017 Vol. 2, №2
Department  Folklore Studies
Pages  264-289
DOI  10.22455/2500-4247-2017-2-2-264-289
UDK  801.73+ 7.046.3
BBK  82.3(2Рос=Рус)
Abstract

The article examines the influence of Christian iconography on poetic images of Rus- The article examines the influence of Christian iconography on poetic images of Rus  sian, Ukrainian, and Belorussian spiritual verses. It claims that the icons that symbolize    the Passion of Jesus Christ, both in the Western and Eastern European traditions, are    possible sources of images and plots for a spiritual verse “Walking of the Virgin” (“Three    Tombs”). The essay specifically focuses on the image of the Holy Sepulcher in Russian    spiritual  verse  and  its  iconographic  sources.  It  discusses  a  number  of  cases  from  the    history of its iconography, from the images of the Holy Sepulcher in the Medieval Catho  lic churches to the ones in the Orthodox cathedrals and churches of the second half of      thth   17    — the beginning of the 18   century. In spiritual verse, the notion of the “tomb in    the church” as part of liturgical practice was related not only to death symbolism. In the    verse “Walking of the Virgin,” the image of three tombs, and primarily the tomb of the    Virgin, bears on the Western-European poetic tradition and includes images that func  tion to deny the idea of the finitude of human existence and reaffirm the idea of eternal    life. Flowers and birds over the tomb of the Virgin are emblematic: it is a verbal icon of a    kind that corresponds with the final episode of the poem, its climax. This emblem refers    to conventional images of the Christian iconography that convey Christian dogmas via a    combination of contradictory elements that we see, for example, in the traditional image    of the Flourishing Cross.

Keywords

imagery of the Passions of Christ in Christian art and folklore, liturgical symbols,  imagery of the Passions of Christ in Christian art and folklore, liturgical symbols,    icons, spiritual verse

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