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Keywords: Mandelstam, Racine, tragic, tragedy, black sun, Scriabin.
For citation:

Ignatieva (Oganisyan) M.Yu. Racine and Mandelstam. Studia Litterarum, 2017, vol. 2, no 3, pp. 204–219. (InRuss.) DOI: 10.22455/2500-4247-2017-2-3-204-219

Author: M.Yu. Ignatieva (Oganisyan)
Information about the author:

Maria Yu. Ignatieva (Oganisyan), PhD in Philology, Associate Professor, St. Tikhon’s Orthodox University, Ilovaiskaya 9-2, 109651 Moscow, Russia. E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Received: March 9, 2017
Published: September 25, 2017
Issue: 2017 Vol. 2, №3
Department: Russian Literature
Pages: 204-219
DOI: 10.22455/2500-4247-2017-2-3-204-219
UDK: 821.161.1+821.133.1
BBK: 83.3(2Рос=Рус)53+ 83.3(4Фра)51

Abstract

This article is a fragment of the PhD thesis Philosophical and Aesthetic Principles of Tragedy in Calderon and Racine (Department of the History of Foreign Literature, Moscow State University, 1988). In her dissertation, the author examined Racine’s presence in Mandelstam’s poetry against the theory of the tragic. Written in the essayistic form, the article examines the following basic images and key concepts of this general theme: (1) cascading shawls as emblematizing heaviness / lightness; (2) a word-confession as expression of pure and redemptive suffering; (3) death by word followed up by redemption. It pays particular attention to the image of the “black sun” and the “tainted day” in Racine’s Phaedra. According to Mandelstam, this image has different connotations and “does not evoke a ready-made meaning” (“Conversation about Dante”). In Racine, Sun is a sacred symbol, it is “the Hidden God”, or Deus absconditus of Jansenism. Phaedra’s sin stains the Sun and darkens it. Phaedra’s last words confirm the redemptive effect of her death. In the article “Pushkin and Scriabin,” Mandelstam writes about the tragic meaning of the artist’s death and compares it with Phaedra’s deed. The study of Racine’s presence in Mandelstam, taking into account the studies of such scholars as Barthes, Goldmann, Poulet and others, allows us to point out explicit and implicit allusions to Racine in Mandelstam’s poetry. It also helps to understand Mandelstam’s idea of the tragedy and the tragic as it developed from 1914 through 1920 when the poet was translating the great French tragedian and at the same time was trying to comprehend the tragic events he witnessed.

References

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2 Barthes R. Sur Racine. Paris, Seuil, 1963. 166 p. (In French)
3 Goldmann L. Le Dieu caché. Étude sur la vision tragique dans les “Pensées” de Pascal et dans le théâtre de Racine. Paris, Gallimard, 1959. 454 p. (In French) 
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5 Poulet G. Notes sur le Temps racinien. Poulet G. Etudes sur le temps humain. Paris, PIon, 1949, t. 1, pp. 104–121. (In French)
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